Recently in fair use Category

September 2, 2010

Dueling School Mascots on T-Shirts: Yea or Nay?

iStock_000006726783XSmall.jpgDear Rich: I have an idea for a T-shirt that would involve caricatures of two rival school's (universities - domestic, i.e., USA) team's mascots. Each mascot would, in turn, be wearing paraphernalia that identifies the respective school (possibly obscured, but arguably recognizable). Would I have to get both schools' permission (i.e., trademark licenses) in order to put such marks on such T-shirts (if, ultimately, I were to sell them)? That might be hard if one of the schools is shown in a lesser light than the other. Any thoughts? Thoughts? The Dear Rich Staff has so many thoughts it's like an ant farm inside our collective brains. But we'll try and focus on your question or we'll be late for dinner and you know how that goes. 
Short answer dept: (1) It's unlikely a school is going to consent to your t-shirt licensing proposals - most already have exclusive arrangements with manufacturers. (2) It's super-unlikely that a school will consent to sharing a co-brand arrangement with a rival. (3) It is super-super unlikely a school will authorize use of their trademark for an unflattering portrait or will permit alterations of their logos and/or mascots. You can always ask -- and maybe we're wrong -- but we don't think your use will be authorized. So that leaves you with the unauthorized route. As for parody, fair use and all that, you can give it a shot though these schools don't mess around when it comes to licensing revenue. If they find out about your use, you'll have to be well-heeled to take on the fight (or else just quickly raise the white flag).
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August 19, 2010

Using Famous Speeches at Website

Faulkner.jpgDear Rich: My company wants to post the Top 40 American speeches at our website. I've attached a list. I've researched them and all of them are reprinted in one form or another at other websites. Are we okay to post them as well? Wow, the Dear Rich Staff just gave a speech. We gave it to some crafts artists at the California Lawyers for the Arts  (where we plugged our crafts book) and it went really well. We love the CLA and you should too! It would have been a perfect evening except for the disappointing dinner at Greens.  Can't they get the linguini with zephyr squash right? And why was the rainbow chard and kale fumigated with garlic? And what's with the stiff white foam in the cappucino? (Blue Bottle, all is forgiven!) Oh well. Remember the good times!
Right, you had a question. We looked over your list of speeches and 35 of them should be fine to reprint either because they were prepared by an employee of the U.S. government within the course of employment, or because they are old enough to qualify for the public domain. But five of them (below) are either protected under copyright or copyright status is unclear. 

  • William Faulkner's Nobel Prize Speech (1950)
  • Martin Luther King's "I Have a Dream" (1963)
  • Malcolm X's "The Ballot or the Bullet" (1964)
  • Stokely Carmichael's "Black Power"(1966)
  • Mary Fisher's "A Whisper of Aids"(1992)
Here's the breakdown.
William Faulkner (above). William Faulkner's Nobel award "Banquet Speech" appears to be copyrighted by the Nobel Prize organization. (Our guess is that recipients assign copyright ownership.) Seek permission at info@nobel.se.
Martin Luther King. The MLK "I Have a Dream" speech is protected under copyright (there was a court challenge, later settled). Seek authorization from the Estate of Dr. Martin Luther King, Jr Intellectual Properties Management One Freedom Plaza 449 Auburn Avenue NE Atlanta, GA 30312 Fax: 404-526-8969.
Malcolm X. We're not clear on the copyright status of the "Ballot or the Bullet" speech. The official Malcolm X site has links to the estate's licensing agent. More information needed.
Stokely Carmichael. The copyright status of Carmichael's famous "Black Power" speech is unclear. Over at the American Rhetoric website, the speech has this copyright notice: "Text = Uncertain. A good faith effort was made to locate the copyright holder(s). Please contact AmericanRhetoric.com if have information about the copyright holder(s). "
Mary Fisher. All signs indicate that Mary Fisher's groundbreaking speech to the Republican convention is still protected under copyright. You can contact her at her website.
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August 17, 2010

Getting rights for Weimar Republic songs

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Dear Rich: I work at an educational, nonprofit and I am trying to clear rights for a few songs from the Weimar Era for an online, educational module to be used in classrooms. Now, the more I've looked into clearing audio permissions, the more confused I get.  It seems that I need to clear with the Master recording owner AND I need to clear for mechanical rights to reproduce the clips, as well as performance rights to transmit the clip.  Additionally, we'd like to include full lyrics in German and in English (translated). There are six different songs.  Four of them are from an album that was fairly recently recorded (which is making it easier to pin down permissions).  The other two are recordings that I don't have the original source for and the only information I have is the composer and lyricist. These are very old songs and some are fairly obscure (German Cabaret music from 1920-1930). We would like to do due diligence and attempt to find the correct entities and contact them for all the permissions we need, but does that mean contacting three different entities for three difference sets of permissions for each song? And then also reaching out to clear for lyrics? And who usually owns those? And what if I can't find the rights holders for a song through ASCAP, BMI, or general Googling?  At that point, can I put it to rest? Are older, non-American songs often held by organizations like ASCAP or BMI?  Does anything ever enter the public domain? Like I said, we are an educational nonprofit, and while I wouldn't think that we can get entirely covered via fair use, I'd hope that we could get something. Furthermore, I feel we need to prioritize the rights that are most important to clear.  Do you have any suggestions on how to proceed? Holy umlaut, that's one heckuva question (or like the Ramones said, "it's long way back to Germany.") We're not positive what you're doing with these songs (or what an online educational module is), but we're going to make an educated guess that it's all part of some schulkind's class work.  
The four songs on the album. As for the four songs on the album, the label that released the songs should be able to grant you performance rights (or lead you to the person who owns them) and the label should be able to lead you to the publisher (and the source for mechanical and lyric rights). So for those songs, you're probably covered.
The other two songs. As for the remaining songs, we'll assume that they were written prior to 1933 as that was the end of the Weimar Republic. We're not sure if you're talking about songs recorded back then or new recordings of old songs. If they're old recordings, it's possible they are in the public domain. In the European Union (EU), the copyright in sound recordings lasts for 50 years after the recording is published; or, if it's never published, 50 years after the recording was made. Thus, all recordings made over 50 years ago are in the public domain in these countries. However, this doesn't mean that the music that was recorded is public domain. The copyright in a musical composition, as opposed to a recording, lasts for 70 years after the composer's death in the EU. Thus, the music on many old sound recordings is still under copyright in these countries, even though the recording itself is not. 
Sources for help. Have you tried GEMA, the German performing right society? They would probably be the best place to start research (and you'll probably need someone who sprechens Deutsche). Depending on your budget you can also enlist the aid of a music licensing specialist (easy to find with your trusty search engine). 
Bottom Line Dept. The Dear Rich Staff believes that if -- after all this research -- you cannot find the proper answers you can go ahead with your use. When its difficult to find authors or owners that's often because they're not to be found. In any case your diligent attempt to find the owner will go a long way towards muting any claims that may arise later. Chances are good that if you do eventually hear from the owners, they will only be entitled to a reasonable license fee. Also, if you really want to lower your liability for unlicensed material, figure a way to record the songs yourself. That way, the only possible liability would be limited to songwriter claims.
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August 6, 2010

Using Movie Quotes: Frankly, my dear, we don't give a ....

Dear Rich: I'm wondering about using quotations (just a sentence or two from celebrities both living and dead) in a book of quotes that I'm compiling. First of all, if the book was only a collection of quotes and each person is credited and I am listed as the compiler, is it okay? I would be selling this book - it would be a quotation compilation similar to Barlett's, etc., but focused on specific topics such as "Quotes on Love from Old Hollywood." Secondly, if I use a quote from a celebrity to start off each chapter in a book, then write in my own words a few pages of what I think about each quote and my interpretation of them, is that okay? I would be selling that book, too - it would be more of an advice book written by me using quotes to start off topics/ideas. I'm thinking that even though I am selling the books, each quote from each person would be such a small part of the overall compilation or writing that it would count as fair use, right? Kind of. Short answer dept. We think you're okay with all of your proposed uses. Your ability to create this book is partially based on fair use, partially based on the fact that copyright doesn't protect short phrases, and partially based on the fact that some of the quotes are so short as to qualify as being "trivial" or "de minimis" uses. 
Stopping others from copying your work. You'll be able to claim copyright in your original contributions as well as your choice/selection of quotes (referred to as a compilation copyright). By the way, these rules work if you're compiling many quotes into a book. They probably won't apply if you are taking one quote and placing it on a poster or t-shirt. In those cases, a movie company can go after you, like they went after merchandisers who used "E.T. Phone Home."
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August 5, 2010

Making Fun of Betty Crocker

betty-crocker.jpgDear Rich: We are doing a show and I am going to make fun of Betty Crocker (not even a real person but a trademark). Is this legal? What is the liability...if any? How did Dan Aykroyd get away with making fun of Julia Child? I know he didn't ask Julia - because I met her when she was visiting The Culinary Institute of America and she told me that. Wow you met Julia Child? How cool is that? The Dear Rich Staff never met any famous chefs although we met a few chefs who should be famous like the folks who do the cooking at our favorite seafood hangout (no FTC disclaimer needed because we're not getting any free calamari). 
The rules of parody. When it comes to famous people and famous trademarks, you've got a first amendment right to parody them (even the ever-changing Betty). However, that doesn't mean the Betty C trademark owners can't or won't sue. It just means you're more likely to win if you can demonstrate it's clearly a parody. Bear in mind that offensive parodies are the ones most likely to trigger lawsuits. For instance, lawsuits were filed over lewd photos of the Pillsbury Doughboy and over nude Barbie doll imagery (entitled "Malted Barbie" and "The Barbie Enchiladas.") Although the artist in the case involving Barbie dolls eventually won his claim, it required substantial legal effort and expense. So weigh the legal consequences carefully before creating a parody. A trademark parody is less likely to run into problems if it doesn't compete with the trademarked goods and services and doesn't confuse consumers--that is, they get the joke and don't think the parody product comes from the same source as the trademarked goods. Also, keep in mind that not all humorous uses are parodies. To avoid trouble, you should specifically poke fun at the trademark, not use the trademark to poke fun at something else.   
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July 1, 2010

Gumby on the Dashboard: Fair Use?

gumby.jpgDear Rich: I am developing a 72-page graphic novel and in one of the scenes a truck driver has Gumby and Pokey figurines on his dashboard (as well as a St. Christopher figurine). Gumby and his pony pal Pokey are fully visible in six panels and partially visible in a seventh (the entire graphic novel will consist of approximately 400 panels). I should note that in the panels in which Gumby and Pokey are visible they are not central to the panel but simply can be seen as small figures on the dashboard. In one panel the truck driver makes a remark about Gumby, favorably comparing his record of averting accidents to St. Christopher's. As you are no doubt aware, Gumby can "walk into any book" and I would very much like to welcome him into mine...as long as his presence will be (or at least is likely to be) protected by the fair use doctrine. Please advise as to whether or not, in your opinion, this would be a permitted use of Gumby. The short answer is that the the Dear Rich Staff smells fair use. What you have working for you is that Gumby is being used incidentally to make a point about your character, and he's not being used more than necessary to make that point. Your use is a little less blatant than the 2003 case involving Barbie and various kitchen appliances. On the other hand, there are other fair use cases -- one in which a copyrighted wall quilt was used to decorate a TV character's room. (Not considered a fair use.) Still, we feel that the current trend may be more permissive to uses such as yours and that the needle tilts in favor of fair use. (It's also unlikely that consumers are going to confuse you with the source of Gumby, muting trademark issues as well.) There could be more of a problem if Gumby got more screen time in your graphic novel, was on the cover, or started talking or moving (or perhaps if your graphic novel was remade in claymation).
Our opinion plus $.25. Although we feel like your use is a fair one, keep in mind that our opinion isn't worth much in a court of law (or many other places). And that's the other thing, if Gumby's people wanted to pursue you, you'd have to be able to afford to prove the fair use -- always a wild card in a fair use analysis. 


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May 11, 2010

Lyrics as body painting

IMG_0044.JPGDear Rich: Some students of mine are working on an anti music piracy advertising campaign intended to encourage students to download legally -- that illegal downloading is more than just stealing, it's a poor reflection on your character. The visuals in the ad show a person looking at themselves in a mirror. Written all over their body are recognizable phrases from songs, " Hey Jude" "I can't get no satisfaction" etc. The pay-off line is, "Illegal downloading, it's written all over your face." My question, is it actually illegal to use the snippets of songs written on the face of the person? Is that copyright infringement? First of all, we just want you to know that the Dear Rich Staff got in a whole lot of trouble during this photo shoot as the makeup we used was a little 'wetter' than we thought and left a reverse impression on our couch. We tried hiding it with a pillow and then spent a ridiculous amount of time Googling "eye makeup stain removal" but most of our results required dry cleaning fluids and ammonia. That's definitely not going to fly here at Dear Rich Staff headquarters. And anyway, where are we supposed to get dry cleaning fluids and ammonia at 6:30 in the evening? So our first bit of advice is to be careful if you're shooting this video at your Mom's house. 
Right, you had a question. Without thinking about the law (whew, that's a relief), we have to ask ourselves, considering that about 95% of music downloads are illegal, would any music publisher hassle someone who was making a video to prevent music from being stolen? Can you imagine the PR fiasco if that got out? Or as our niece would say, 'What an embarrassment!' So, strictly from that POV, you shouldn't have a problem with your video.
Copyright is on your side. Copyright doesn't protect short phrases so that's working for you as well. Arguably, a music publisher could argue that you've taken more than a short phrase; you've taken the "heart" of the composition and on that basis, it's a literal infringement. We doubt that will fly since you're not taking the music, and because you're compiling a bunch of short phrases, not merely highlighting one. Finally, you have a pretty strong fair use argument since your use is sort of transformative (you're using the phrases to say something about piracy). So all in all, we think the copyright gods would bless your use. We'd love to blabber on but we have to go check the Drain/Spin cycle.

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February 26, 2010

We Can Use Clip Art, Right?

Thumbnail image for Cat.pngDear Rich: Our company offers a website directory service for advertisers. The advertisers can supply a photo but some of them now want to supply artwork. As long as the image came from clip-art, or some other publicly "royalty-free" stock photo site, it can be used without permission, correct? We wish that were true. 
Our own sad story. A few months ago, the Dear Rich Staff modified (perhaps 'transformed' would be a better verb) a clip art image and used it at our blog. A few weeks later, we got a letter from a lawyer representing the clip art owner demanding a bunch of money (at least enough to buy a couple of kayaks) or face a lawsuit. Fortunately, we made enough noise about fair use to keep the lawyers away (although of course, the statute of limitations hasn't run on that one). But the message is clear -- don't assume that clip art is free to use or modify. 
Understanding the Terminology. The terms clip art, public domain art, royalty-free art, and copyright-free art are often used interchangeably (and confusingly). So here's a primer:
Clip art is a general term used to refer to any artwork that is available in a collection, either in a book or on a computer disk. Clip art may be in the public domain or royalty-free. 
Public domain art is not protected by copyright. Many publishers, such as Dover Books, specialize in offering collections of public domain art. You are free to copy and use the individual artwork in a public domain collection without permission. However, you are not free to copy and sell the collection. 
Royalty-free art is protected under copyright law and cannot be used for free. However, once you buy the CD-ROM or pay for access to a website that contains royalty-free artwork, your license to use the images is largely unlimited, so you can usually use the works numerous times for a broad range of uses. Use for merchandising -- putting the image on a t-shirt -- or some commercial endorsements -- using the image in a magazine ad -- may not be allowed -- a major exception to the rule that you can use royalty-free images any way you like. 
Copyright-free art is the most confusing terminology. Some people use it to refer to public domain artwork; others use it to refer to royalty-free artwork. Often, it's used to describe artwork that websites offer for free to the public -- whether the works are public domain works or royalty-free works. We think it's a meaningless term.
Creative Commons artwork.To be on the safe side, clip art users might want to consider filtering their image search by using the Creative Commons image search filter (that's how we found "Sad Cat" by Peter M., above). And check the license to see if it fits your purposes.
Long story short. The other day we were at Cafe Trieste on their very long line and the guy in front of us was telling an acquaintance a very long story and at least three times, he said, 'Long story short,' and had we had less frontal lobe control, we might have said, "Dude, how can it be 'long story short,' you've already gone on for, like, ten minutes?" Ennyway, if an advertiser is providing you with artwork, you might want to get a warranty or indemnity in your agreement and if necessary, have them furnish you with evidence (terms of use, license, etc.) that they have permission to use the art. 

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January 7, 2010

Using One Liners from Email List

iStock_000004357115XSmall.jpgDear Rich: I edit an annual photography book, sold to raise money for charity, which accepts photos from members of an email list. We have a "click-wrap" agreement for the photo upload system. But the book also includes a few pages featuring a compilation of the wittiest quips that have appeared on the mailing list over the past year. I get the quotations either directly from the emails that go out on the list server or through third-party web sites that archive all the content that appears on the mailing list. Are there any copyright issues I should be aware of in taking one-line quotations like this? The short answer is that you're probably fine. Most short statements are hard to protect under copyright for various reasons we've mentioned before in our blog. So you're generally good to go when you take a one-liner from an online source. Issues are more likely to arise if you take several one-liners from a single source, or if your one-liners are actually three or four-liners. 
What about attribution? The Dear Rich Staff could go either way on this one so you can make the call. For many people attribution is a validating experience; others may prefer anonymity. Also, we probably don't need to say it -- but we can't help ourselves since we're in the legal business -- you probably want to avoid defamatory or privacy-invading one-liners. In the future, you can consider adding a "permission statement" to your mailing list terms and conditions, indicating that some statements may be included in the annual photo book. 

To learn more about the permissions process, check out my book Getting Permission: How to License & Clear Copyrighted Materials Online & Off.
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November 20, 2009

Reach Out and Infringe Someone: Using Ad Slogans as Chapter Headings

feature_sausage.jpgDear Rich: I work for a publisher and recently ran across a manuscript for a fiction book that used advertising slogans for chapter headings. For example, the authors used Hebrew National's, "We Answer to a Higher Authority." The authors thought it was fair use but since it's an advertising slogan is that also considered fair use? I told them to check with an attorney but they decided to just remove them.  The Dear Rich Staff gets so sad when someone's creativity is stifled by legal uncertainties. The short answer is that you're okay to use slogans in fiction. However, avoid using the slogans in the book's title or advertising (that is, stay away from commercial uses versus editorial uses). The Supreme Court has defined "commercial speech" as "speech which ... propose[s] a commercial transaction."
Copyright law and fair use.  As for using advertising slogans under copyright law, there isn't a problem. Copyright does not protect short phrases and even if it did, the use you described appears to be a fair use
Trademark law and fair use. You can use a trademark (including slogans) for editorial or informational purposes without permission. That's because readers who stumble on a trademark within the text of a novel aren't likely to be confused into thinking that Hebrew National or Apple are sponsors of the book. There is a concept known as 'trademark fair use' that is distinguishable from the fair use defense applied in copyright law -- it's used as a defense to a claim of trademark infringement. In other words, it's sometimes asserted when a competitor uses another company's trademark to describe the goods (for example, the maker of an electric dishwasher may describe the "joy" of clean dishes without infringing the trademark JOY for dishwashing liquid). Some noncommercial uses of trademarked terms (such as described in your letter) -- though not technically trademark fair use -- are often lumped in the same category.

Want to learn more about fair use? Check out my book Getting Permission: How to License & Clear Copyrighted Materials Online & Off.
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November 18, 2009

Will Wayne Dyer Love You If You Infringe?

WayneDyer.gifDear Rich: I wrote a study guide for my church for The Power of Intention by Wayne Dyer. It was given to people for free. In the study guide we quoted brief sections from Dyer's book, giving him credit, and then I wrote questions about each chapter. I want to start a little business developing study guides of existing books for churches to use. Is it fair use? The short answer is that we don't know. Issues of fair use can only really be decided by a judge who weighs several factors and does some hocus-pocus. Many literary guides survive without any hassle but there are also a few copyright cases in which copyright owners have halted "guide" books (Take a look at the Seinfeld and Twin Peaks cases here.) 
What would Wayne do? Even if you infringe, we'd like to believe that Wayne Dyer has enough love in his heart to forgive you for any copyright transgressions. Like Wayne says, "Anything you really want, you can attain, if you really go after it." So if you really want to borrow from his books and sell study guides, you should really go after it. Actually, we're not sure about that last part, we just got caught up reading lots of Wayne Dyer quotes.
Why you can probably get away with it ... The Dear Rich Staff, victims of lifelong self-defeating thinking, think that you can probably get away with selling your guides without any problem. To keep things on the safe side, don't sign a publishing deal, avoid extensive use of quotes, avoid any indicators that might imply that Wayne endorses your book -- don't put his picture on the cover (or pictures of his book covers), and it wouldn't hurt to include a prominent disclaimer on the cover to the effect that "Wayne Dyer does not endorse and is not associated with this publication." Don't let copyright get in the way of sharing your ideas -- Go for it now, because like Wayne says, the future is promised to no one.

Curious about copyright law? Check out Stephen Fishman's The Copyright Handbook: What Every Writer Needs to Know.

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November 9, 2009

Film Distributors, Indemnity and Struggling Artists

double-indemnity.jpgDear Rich: Struggling Artist makes an anti-establishment film, which is mostly original material. In one segment, with a satirical intent, he deliberately shows McDonalds' "golden arches" and uses a Hannah Montana song on the soundtrack. Struggling Artist knows the material is copyrighted and trademarked, but he believes that he has a fair use defense and that it's OK to use it. Distributor picks up Struggling Artist's film for DVD distribution. In the contract he signs with Distributor, Struggling Artist guarantees that he owns all the copyrights to the material he supplies. Distributor takes the masters Struggling Artist gives him and sends them to a third party to be duplicated onto DVD. A month later, McDonalds and Hannah Montana file lawsuits against Distributor for trademark and copyright infringement (as Struggling Artist has no money). Is Distributor liable for any judgment in favor of the plaintiffs? Does the contract clause where Struggling Artist assures Distributor he owned the rights to the material help him? The short answer is that the distributor will be liable for infringement and the contract clause will only help if the distributor can obtain some payment from the artist. By the way, we're not sure where you fit in - as distributor or artist - so as Joni Mitchell says, we'll look at this from both sides now. 
Indemnity. The Dear Rich Staff  believes that the clause you're referring to is either a warranty - in which the artist promises the film does not infringe -- or an indemnity clause - in which the artist agrees to pay for any damages resulting from any claim of infringement. Either way the distributor can likely go after the artist for reimbursement if someone sues. Some distributors don't just rely on these contractual promises; they ask to see the documentation verifying the licenses and permissions. 
Fair Use and Other Defenses. The concept of "fair use" is primarily for copyrighted works - the Hannah Montana song -- and not for trademarks (the golden arches). Trademark fair use applies to a different type of defense. As noted above, even if the distributor prevailed, the distributor would most likely have to pay its own attorney fees. So being right doesn't mean that the artist and distributor are free of financial liabilities. Also, you didn't mention if the anti-establishment film is a documentary or feature film. A documentary is likely to provide stronger defenses. (BTW, in today's completely co-opted world does the term "anti-establishment" have any meaning anymore?) 
Insurance and Other Odds and Ends. Does the distributor have insurance? If so, you can be sure that the insurer will proceed after the artist and obtain a judgment (and the distributor may do the same on its own). The artist may not have anything of value right now but a judgment will last for many years should the artist earn or inherit anything in the future.
Struggling Artist? We're not sure why the term "struggling artist" bugs us. But really, everyone's struggling to some extent -- even Lindsay Lohan -- and the artist in your question just got a distribution deal which means he or she is way ahead of the game, at least in the struggle-reduction department. Ennyway, just a thought ... and we'll try and get over ourselves.

For more information about copyright and trademark infringement, see my book Patent, Copyright & Trademark: An Intellectual Property Desk Reference.
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October 23, 2009

Animal Mascots, Therapy, and Fair Use

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Dear Rich: I am an artist studying the use of corporate mascots such as the Trix rabbit. One of the main points in my thesis is the lack of freedom in discussing the mascots  used to sell products to children (and the danger that poses). As part of my exploration of the topic I am creating artworks made out of these mascots, cutting up toys and making sculpture from the pieces. I am doing this for my Masters degree and may continue onto a Ph.D. I have some questions. Am I infringing copyright if I: (1) show the work at my degree show? (2) show the work in a commercial gallery? (3) publish images of the work in a commercial book (4) make drawings or paintings of the works and publish these commercially? or (5) were to claim they were produced in art therapy sessions would they count as informational? I understand that I would be allowed to reproduce these animal mascots for informational purposes, for example in a textbook or news article. (6) Does the exception only apply to reproductions of the mascots as they are? I noticed, for example, that someone had been prosecuted for putting Barbie and Ken dolls in lewd positions and photographing them. (7) Is there any way around this problem such as publishing in a country with no laws on copyright or publishing anonymously? I feel very passionately about this topic and would be willing to consider creating the artworks as anonymous graffiti if necessary. 
NIMBY Please. The Dear Rich Staff feels your passion but prefaces this response with one request - if you are going to take the graffiti route, could you please avoid tagging our street. (We live in the outer Richmond District in San Francisco, a few blocks from the Walgreens). We've got this law in the city that requires the residents to remove graffiti within 30 days and frankly we're tired of using toxic cleaning products and paint. 
You Have Quesitons. Your letter included seven questions and to avoid exceeding the short attention span of our loyal readership, we're going to try and keep our answers brief. As for questions 1 and 2, yes you are infringing, but you have a powerful fair use argument and are not likely to be discovered by anyone who might care. Re: question 3 and 4, yes, you are infringing and commercial uses make the fair use arguments a tougher sell. Still, the trend is to permit this type of use and we think you will likely qualify under a fair use defense (which by the way means you may have to defend yourself in court). 
You're in Art Therapy. As for question 5, you got us with this one. We understand art therapy and its implications and we're fascinated by the argument that copying someone's work is a transformative use (as required for a fair use defense). Alas, we believe that while you are being transformed by the therapy, the underlying work is not. On that basis (and with no caselaw to support our position), we don't think the art-therapy-as-fair-use argument will fly. 
Informational Uses and Trademarks. In question 6, you ask about informational uses. Here you're confusing copyrights and trademarks, a common error since mascots function as both. The "informational" issue relates to use as a trademark. All of your potential uses appear to be informational since you are using these images to make editorial statements. As for making Barbi and Ken do lewd things, that's a whole other issue we'll address in another blog. In any case, we understand that everyone can go through an I-hate-my-Barbie phase.  
The Land of No Copyright. As for question 7, we think you're imagining an off-shore world where you can infringe to your heart's content. The reality is that if your work is sold or distributed in the U.S., you can be sued for infringement here, as can any retailer offering your work. If you're a U.S. citizen that makes it even easier to go after you. So unless you're planning to move somewhere where the residents have set up servers with infringing or illegal content (often a country that ends with the suffix, "stan"), then you will be a target for lawsuits. 
Some Random Thoughts. In a surprising cross-species mascot switcheroo, we were surprised to learn that Trix was once promoted by stick figures and Mickey Mouse. 

To learn more about trademark and copyright law, take a look at my book Patent, Copyright & Trademark Law: An Intellectual Property Desk Reference.
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October 5, 2009

Brown Bagging Banned Books

catcher.jpgDear Rich: My nonprofit foundation wants to create and sell a calendar of bookmarks with photos of books that have been challenged or banned. The photos show the cover in a scene or "still life" that relates to the title. In all cases, the title can be seen, even when much of the book cover is otherwise obscured (at least 10% is obscured). Some book covers also have artwork by artists who illustrated the book. Only one of the books is in the public domain. The Foundation is planning to sell about 2000 editions of this 16-month calendar bookmark. Do we need permission from each publisher if we use the jacket or cover of the book in a composed "scene" where the jackets are obscured by at least 10%? What if we photographed the books wrapped in brown paper with the title handwritten? Sorry, we wanted to answer your question during "Banned Books Week," but time just got away from us. Hey, we like your brown-bag idea (it works for some) and no permission would be required. 
Still Lifes. As for your "still life" concept, the safest course is to get permission for the book cover art. At the same time, if someone says no, or you can't locate the owner, you can probably get by without permission. You have a strong argument that your work is transformative and constitutes fair use. BTW, the Dear Rich Staff isn't sure what you mean when you write of using "artwork by artists who illustrated the book(s)." If you have their permission for the  additional art, great. Otherwise, you might be pushing the fair use boundaries by reproducing non-cover illustrations.
Trademark and titles. Single book titles are rarely protected -- that's why your brown bag approach is okay. However, Harry Potter, because it's a series, is federally registered and Warner Brothers owns the rights for calendars (Reg. No.3419797). For that reason, you might not want to use Harry Potter and the Order of the Phoenix on your cover, packaging or advertising. That also puts you in a better position to argue that your internal use of Harry Potter is editorial and non-infringing ... should the issue arise.

To find out more about permissions of all types, check out my book Getting Permission: How to License & Clear Copyrighted Materials Online & Off.
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September 17, 2009

Punjabi iPhone Dictionary App

Thumbnail image for PJDict.JPGDear Rich: I recently found myself working on a project that involved an iPhone application that would function as a Punjabi language dictionary. I retrieved this dictionary by re-typing it into a database without the permission of the university that holds the copyright. The dictionary is also available online, however the copyright footer only mentions the software company that made the dictionary front-end, not the actual university. What is the law regarding international copyright of dictionaries? Can you really copyright a list of facts? Can I submit my iPhone Application to the App Store without any troubles? Would it make a difference if my app went out to the Dictionary's website and searched for a word rather than keeping a local database in my app? Will I have to retrieve a license from the university and pay them a certain share? Wow, that's a lot of questions. Let's just summarize by saying that if the university has a copyright in the content of the  Punjabi dictionary, your work is infringing. With the exception of GNU licensable dictionaries such as Wiktionary, dictionaries are typically protected by two types of copyright: a copyright for the original text expression in the definitions, and a compilation copyright for the collection of definitions. 
Facts. Facts. It's true that copyright doesn't protect facts but dictionary publishers would argue that writing dictionary definitions requires skill and unique phrasing. Even in those cases, when a definition is too short, or doesn't involve sufficient creativity, or is in the public domain, such definitions can still be protected as a group under the compilation copyright (and we assume that "compiling" a dictionary is different than having it "complied" -- see our cover above). As for linking to the online dictionary, that's a tough call. Like inlining or framing, it may be considered a copyright infringement. The university may also have a claim against you for unfair competition or similar statutes which make it illegal to pass off your work as that of someone else's. The real problem is more of a practical one -- whether you want a self contained app (that can also run on an iPod Touch without wifi) or one that is link-dependent.  As for international copyright rules, if the copyright is valid in a country that is a party to an international treaty, it can be enforced against you in the U.S. 
iPhones and Database Retrieval. According to the Dear Rich Staff If you don't have the rights to your content and you post it as an iPhone app, then Apple -- assuming it learns of the infringement --  would likely remove it and it would be buried in the iPhone App Graveyard.

To find out more about licensing, check out my book Getting Permission: How to License & Clear Copyrighted Materials Online & Off.
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